Maningrida Arts and Culture is a community of artists from approximately 34 outstations in East Arnhem Land. The Art Centre was established in the early 1970’s and is continually on the forefront of innovation and artistic endeavor reflecting the diversity of languages and cultures of the region.
Maningrida artists first made prints in the late 1970’s and early 1980’s, when the late Johnny Bulunbulun, David Milaybuma and other artists visited Port Jackson Press and the Canberra School of Art.
Printmaking was fully incorporated at the Art Centre in 1997 with a series of etching, lithography and screenprinting workshops and projects through Charles Darwin University’s Northern Editions, initiated by printmaker Basil Hall. The new wave of printmakers included women and the exploration of colour and a contemporary expression of their culture. In the mid 2000’s French printmaker Jean Kohen worked with a range of artists to produce this series of etchings.
These workshops and collaborations have enabled both male and female artists to discover and experiment with the print medium. The process has stimulated new interpretations of subject matter found in rock art throughout the Arnhem Land escarpment such as weaving, plant and animal motifs. It has also enabled artists such as Kate Miwulku a physical and emotional expression of her culture.View the Online Gallery
In this exhibition Merran Sierakowski presents hostile fishes that surround the Australian coastline. The fishes are a metaphor for the unwelcoming treatment of refugees to our shores; they represent old prejudices and fears, much as images of monsters were depicted on medieval maps of imagined lands.
Merran Sierakowski is a prolific artist who consistently addresses social, political and environmental issues. Her creative, ironic and whimsical art works reflect on human rights, cultural identity and sense of place.
Merran’s art practice encompasses limited edition prints, digital imagery, sculpture and installations. She uses a variety of techniques incorporating fabric, paper, metal, stone, wire, wood and found objects.
As an artist I keep coming back to ideas about fear and rejection, modern interpretations and historical links are a constant theme of my practice. The ideas that are exemplified in these works can also be applied to many other less enlightened attitudes that persist in our community. The sculptures serve as a catalyst for the viewer to recognise their own fears and monsters. Merran Sierakowski 2014
In this exhibition, Winsome Jobling reflects upon the exploitation of Earth and questions the increasing imbalance of the human – nature relationship. Through rich organic images Jobling explores the nature of landscapes that have been disemboweled by human activity, leaving scars and exit wounds that may never be healed. The works consist of handmade paper made from plant materials and earth pigments.
What is our relationship to the earth?
We disembowel the earth of resources; minerals, oil and gas leaving scars and exit wounds that may never be healed. Constantly taking and using what the earth has to offer. Geologists look for tell-tale signatures of minerals in rock types, strata, electromagnetics, geochemical patterns, and recently botanic research. There is gold in the leaves of the Eucalyptus trees around Kalgoorlie. Our need is insatiable. Is Mine the appropriate word? Would Ours be more mindful and humble?
The earth is a system of moving gas, liquid and solids, all part of much bigger interconnected and interdependent components and we are part of this dynamic. Our domination and exploitation of nature may alienate us from the earth we stand on. Is there an increasing imbalance of the human – nature relationship? Certainly our pristine ‘white’ goods, fuelled by industrialism, technology and consumerism, are the antithesis of the dirt and ore they come from, helping us forget their earthly origins. Winsome Jobling 2014
(Winsome Jobling – Hand Papermaking, Vol 28, no 2, 2013)
Alfonso Puautjimi & Jane Tipuamantumirri from the Tiwi Islands in the Northern Australia, portray aspects of Tiwi life, ranging from quirky fish, magpie geese and ceremonial life, to houses, cars, planes and portraits. These richly painted ochres on paper feature bold brush strokes and a generous application of paint. Ngaruwanajirri (meaning helping one another in Tiwi) was […]
These etchings from Yirrkala Print Workshop feature prints by leading Yolngu artists which are a reflection of their culture, ingenuity, skill and artistic vision. The etchings were editioned at Buku-Larrnggay Mulka Centre in 2013. Buku Larrnggay Mulka has a long and proud history as one of Australia’s premier Indigenous art centres and printmaking […]
This collection of limited edition screen prints is the result of a print making workshop at the Mimili Maku with Basil Hall in 2012. During the workshop emerging and established artists created a stunning selection of prints based on imagery, symbols and narrative of the region made with a vibrant application of colour. The community of […]
Artists from Buku Larrnggay Mulka in eastern Arnhem Land have featured prominently in the Telstra National Aboriginal and Torres Strait Islander Art Award over its 30-year history. Since 1994 there have been 22 winners from Buku Larrnggay Mulka, of those 12 have been selected for Prized: Yirrkala Artists. Djambawa Marawili AM Gulumbu Yunupingu […]
By Jörg Schmeisser (dec) Master printmaker and artist Jörg Schmeisser first visited Arnhem Land in 1976. As part of the journey he facilitated some of the first etchings to be made with Indigenous artists of the region. He again visited the Top End in 2009 as part of the Nomad Art Djalkiri project. […]
Manme Mayh: Gardens of the Stone Country II continues to explore the links between Indigenous cultural heritage, environment and aesthetic traditions of artists from the Stone Country of western Arnhem Land through food and plants (manme) and animals (mayh). The artists selected for this project represent a small and unique group of young […]
John Wolseley returns to Darwin in June as part of his continuing exploration of the Daly River and Blue Mud Bay in East Arnhem Land. Immersed in swamps, wetlands, tidal mangroves and the life forms that inhabit them, his work is a search to discover how we coexist within the landscape. Wolseley’s paintings […]
These beautiful new hand printed fabrics from Merrepen Arts on the Daly River in Northern Territory are the result of a recent fabric printing workshop with Bobby Ruben. Merrepen artists are renowned for their stylised designs, which have traditional associations to the plants and animals of the Daly River region. The New fabrics […]
New fabrics from Maningrida feature hand printed designs on fine quality hand woven quilting fabrics and shot cottons. The women’s designs depict their landscape, dreaming stories, bush foods and bush activities. The exhibition will feature new and exciting screen prints and lino block printing. Proudly owned by Bawinanga Aboriginal Corporation, Babbarra Designs is […]
Our art comes from the Roper, that’s what connects us here, the river. The river is the source of our creativity and energy and our art flows like the river. The artists called this exhibition ‘Flowing from the Roper’, because they see it as a journey where the art has flown from the […]