The new Basil Hall Editions (BHE) Collectors’ Folio series II is now available. The collection of etchings features six prominent Indigenous artists from central Australia including Kathleen Petyarre, Abie Loy, Paddy Sims, Paddy Stewart, Betsy Lewis and Lorna Fencer (dec.) Series II follows the highly successful series I collection of Arnhem Land prints which includes […]
The new Basil Hall Editions (BHE) Collectors’ Folio series II is now available. The collection of etchings features six prominent Indigenous artists from central Australia including Kathleen Petyarre, Abie Loy, Paddy Sims, Paddy Stewart, Betsy Lewis and Lorna Fencer (dec.)
Series II follows the highly successful series I collection of Arnhem Land prints which includes etchings by Bardayal “Lofty” Nadjamerrek, Glen Namundja, Gabriel Maralngurra, Gulumbu Yunupingu, Wukun Wanambe and Don Namundja.
The BHE Collectors folio is packaged in a unique A4 sized presentation folio and is ideal for gifts and travelers.
Image: Abie Loy, Body Painting 2006.
BHE Collectors’ Folio series II
Replant is an excursion through the eyes of six different artists into the remarkable world of plants in the tropical north of Australia. This exciting folio of limited edition etchings explores the unique characteristics of species that survive and prosper through the climatic extremes of monsoonal rains, dry weather and wild fires.
Gathering at Daly River, 230 kilometres southwest of Darwin in March 2006 the artists explored the scientific, cultural and social aspects of Indigenous plant species with traditional knowledge custodians and ethno botanist Glenn Wightman. Together they distilled ideas and visions in an acutely observed survey of Top End flora and environment. The group then returned to Darwin to the printmaking studio of master printmaker Basil Hall to resolve the work.
Replant reflects the traditional role of women as gatherers of food and holders of knowledge, combined with the rise of printmaking as a significant medium for Indigenous artists.
Replant was exhibited at George Brown Darwin Botanical Gardens August 2006 as part of the Darwin Festival and was supported the Australia Council for the Arts, NT Research and Innovation Board, Arts NT and Artback NT: Arts Development and Touring.
Kunwarrde Bim (Stone Country Painting) is a collection of etchings by nine artists from Injalak Arts and Crafts in Western Arnhem Land. The x-ray images are based on ancient rock art at Injalak Hill, which overlooks the community of Oenpelli. The etchings are presented in a series of unique ceramic boxes. Celebrated artist Bardayal (Lofty) Nadjamerrek […]
Kunwarrde Bim (Stone Country Painting) is a collection of etchings by nine artists from Injalak Arts and Crafts in Western Arnhem Land. The x-ray images are based on ancient rock art at Injalak Hill, which overlooks the community of Oenpelli. The etchings are presented in a series of unique ceramic boxes. Celebrated artist Bardayal (Lofty) Nadjamerrek has painted directly onto the clay surface of each box reflecting the ancient sandstone of the Arnhem escarpment, thus providing an opportunity for collectors to acquire examples of the rock art of Bardayal Nadjamerrek, one of the last surviving rock art practitioners.
Kunwarrde Bim originated in 2003 when printmaker Basil Hall approached Injalak Arts with the idea. In 2004 a printmaking workshop took place at Injalak Hill resulting in a folio of etchings by the nine men featuring x-ray images painted in a similar style to those on the rock surfaces.
Manager of Injalak Arts, Anthony Murphy believes the project is the first of its kind involving a rock artist. “Injalak Hill” is a world famous rock art site. It boasts extensive galleries, literally thousands of paintings scattered amongst the boulders and breathtaking views of floodplains and the famed Arnhem Land Escarpment. Lofty has eagerly embraced the idea of working on a “new” surface and younger artists at Injalak have often expressed their interest in working in the “old way” on etching plates” he said.
Sets of the etchings are presented in ten ceramic boxes or 20 cloth-bound folios, a limited selection of individual prints are also available from the end of June 2006.
The Djan’kawu, two sisters and their brother, come from the east by canoe to Arnhem Land and then traveled west creating names, animals, landforms and languages and giving birth to the Dhuwa moiety clans of the area. The suite of six prints depicts the stages in the siblings’ journey from the island of Barralku to […]
The Djan’kawu, two sisters and their brother, come from the east by canoe to Arnhem Land and then traveled west creating names, animals, landforms and languages and giving birth to the Dhuwa moiety clans of the area. The suite of six prints depicts the stages in the siblings’ journey from the island of Barralku to the shores of the mainland.
The six beautifully carved and elegant images are now available at Nomad Art Productions nomad@nomadart.com.au
The balance of men and women, silk screen-print on Archers Buff Paper, paper size 56 x 76cm, image size 52.2 x 72.2, price $300.00. Christine Christophersen was born in 1959 in Darwin Australia. While her mother’s country is located in Kakadu National Park, Christine is a member of the Murran Clan, in northwest Arnhem Land. […]
The balance of men and women, silk screen-print on Archers Buff Paper, paper size 56 x 76cm, image size 52.2 x 72.2, price $300.00.
Christine Christophersen was born in 1959 in Darwin Australia. While her mother’s country is located in Kakadu National Park, Christine is a member of the Murran Clan, in northwest Arnhem Land. She is of the Iwatja language group. With a diverse background as an artist, journalist, researcher, administrator, teacher, writer and activist Christine has been at the forefront of Aboriginal issues for over two decades. Christine recently returned from France where she spent two and a half months giving lectures at art schools and Universities and to the public. She presented a solo exhibition of her work “BluePrint” at Maison Follie in Lille, which ended in December. While in France she made her first print “The Balance of Men and Women” in collaboration with print master Alain Buyse.