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Alfonso and Jane

  Alfonso Puautjimi & Jane Tipuamantumirri from the Tiwi Islands in the Northern Australia, portray aspects of Tiwi life, ranging from quirky fish, magpie geese and ceremonial life, to houses, cars, planes and portraits. These richly painted ochres on paper feature bold brush strokes and a generous application of paint.   Ngaruwanajirri (meaning helping one another in Tiwi) was […]


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  • Alfonso and Jane Installation, Nomad Art Gallery
  • Alfonso Puautjimi, Car, ochre on paper, 2011
  • Alfonso Puautjimi, Two Cars, ochre on paper, 2013
  • Jane Tipuamantumirri, Jilamara, ochre paper, 2013
  • Jane Tipuamantumirri, Magpie Geese, ochre paper, 2012
  • Alfonso Puautjimi, Kapala (boat), ochre on paper, 2011
  • Alfonso Puautjimi, Plane, ochre on paper, 2011
  • Alfonso Puautjimi, Portrait of Joy, ochre on paper, 2012
  • Jane Tipuamantumirri, Magpie Geese, ochre paper, 2012
  • Jane Tipuamantumirri, Mupiti (fish), ochre paper, 2012

Alfonso and Jane

08 October - 29 October 2013

 

Alfonso Puautjimi & Jane Tipuamantumirri from the Tiwi Islands in the Northern Australia, portray aspects of Tiwi life, ranging from quirky fish, magpie geese and ceremonial life, to houses, cars, planes and portraits. These richly painted ochres on paper feature bold brush strokes and a generous application of paint.

 

Ngaruwanajirri (meaning helping one another in Tiwi) was established in 1994 as a cooperative to support local Tiwi artists with disability and to provide employment for people at Wurrumiyanga (formally Nguiu) on Bathurst Island . The artists work in a wonderful open and airy workspace called the ‘Keeping House’.

 

Ngaruwanajirri artists create highly individual works in a range of art forms including batik and painted silk scarves, lino block printing, ironwood carving, water colour and acrylics on paper and natural ochres on paper and canvas.

 

The natural ochres (white and yellow) are collected from two beaches on Bathurst Island and burning the yellow ochre over a fire produces a third colour, red. These colours are still used by the Tiwi in different ceremonies and cultural events on both Melville and Bathurst Island (the Tiwi Islands).

 

Art from Ngaruwanajirri has been exhibited in galleries throughout Australia and is held in public and private collections.

 

View the online gallery

New Etchings from Yirrkala Print Workshop

  These etchings from Yirrkala Print Workshop feature prints by leading Yolngu artists which are a reflection of their culture, ingenuity, skill and artistic vision. The etchings were editioned at Buku-Larrnggay Mulka Centre in 2013.   Buku Larrnggay Mulka has a long and proud history as one of Australia’s premier Indigenous art centres and printmaking […]


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  • Marwat etching by Marrnyula Mununggurr
  • Birrka’mirri, etching by Napanyapa Yunupingu
  • Bundjungu, etching by Mulkan Wirrpanda
  • Teacups, etching by Nonggirrnga Marawili
  • Yukuwa, etching by Djirrirra Wunungmurra

New Etchings from Yirrkala Print Workshop

05 October - 26 October 2013

 

These etchings from Yirrkala Print Workshop feature prints by leading Yolngu artists which are a reflection of their culture, ingenuity, skill and artistic vision. The etchings were editioned at Buku-Larrnggay Mulka Centre in 2013.

 

Buku Larrnggay Mulka has a long and proud history as one of Australia’s premier Indigenous art centres and printmaking studios. The artists have established a national reputation for their work, having won many of Australia’s major Indigenous art prizes.

 

Buku Larrnggay Mulka is one of the few art centres in Australia to establish and maintain a dedicated print workshop, which is staffed by Indigenous printmakers. In the last fifteen years the Centre has produced a wide range of linocuts, screen prints, etchings, lithographs, and collographs. While the artists are respectful of the discipline of miny’tji (sacred design) the nature of the printmaking process has allowed the them to experiment more freely with colour, imagery, concepts and design without compromising their spiritual identity. Many of the artists who have worked in the print workshop are women who have been leaders in innovation and change.

 

View the online gallery

Mimili Maku

  This collection of limited edition screen prints is the result of a print making workshop at the Mimili Maku with Basil Hall in 2012. During the workshop emerging and established artists created a stunning selection of prints based on imagery, symbols and narrative of the region made with a vibrant application of colour.   The community of […]


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  • Artists in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands
  • Tuppy Ngintja with Basil Hall during the workshop
  • Antara, screen print by Betty Kuntiwa Pumani, 84 x 59 cm
  • Minnyurru Tjukurpa, screen print by Kathleen Injiki Tjapalyi, 84 x 59 cm
  • Ngayuku Ngura – My Home, screen print by Linda Puna 84 x 59 cm
  • Rock Hills Meet Desert Sands, screen print by Marina Warari Brown, 84 x 59cm
  • Maku Inmaku Pakani, screen print by Ngupulya Pumani, 84 x 59 cm
  • Duck and the Diver Tjukurpa, screen print by Robert Fielding 84 x 59 cm
  • Kungka Kutjara Tjukurpa, screen print by Tuppy Ngintja Goodwin, 84 x 59 cm
  • Wanampi Tjukurpa, screen print by Willy Muntjantji Martin 84 x 59 cm

Mimili Maku

06 September - 28 September 2013

 

This collection of limited edition screen prints is the result of a print making workshop at the Mimili Maku with Basil Hall in 2012. During the workshop emerging and established artists created a stunning selection of prints based on imagery, symbols and narrative of the region made with a vibrant application of colour.

 

The community of Mimili is in the far north west of South Australia, at the base of the Everard Ranges, in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. It is 645km south of Alice Springs which is the nearest large town.

 

PRIZED: Yirrkala Artists

  Artists from Buku Larrnggay Mulka in eastern Arnhem Land have featured prominently in the Telstra National Aboriginal and Torres Strait Islander Art Award over its 30-year history. Since 1994 there have been 22 winners from Buku Larrnggay Mulka, of those 12 have been selected for Prized: Yirrkala Artists.   Djambawa Marawili AM Gulumbu Yunupingu  […]


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  • Gulumbu Yunupingu, Ganyu, ochre on bark, 122 x 54 cm, $5000
  • Nyapanyapa Yunupingu, Circles, ochre on bark, 81 x 60 cm, $5000
  • Djambawa Marawili AM, Baykurrdji, ochre on bark, 149 x 70 cm, $5000
  • Galuma Maymuru, Yambirrku, ochre on bark, 116 x 50 cm, $3340
  • Gawirrin Gumana AO, Djarrwark, ochre on bark, 76 x 55 cm, $5000
  • Banduk Marika, Rulyapa, ochre on bark, 129 x 49 cm, $5000
  • Naminapu Maymuru-White, Milngiyawuy, 94 x 40 cm, $1875
  • Wukun Wanambi, Warruwitjpal, ochre on bark, 92 x 31 cm, $2920
  • Baluka Maymuru, Gayitj, carved wood and ochre, 124 cm, $3000
  • Nawurapu Wunungmurra, Mokuy, carving & ochre, 80 cm $1100
  • Nawurapu Wunungmurra, Mokuy, carving & ochre, 115 cm, $1550

PRIZED: Yirrkala Artists

08 August - 31 August 2013

 

Artists from Buku Larrnggay Mulka in eastern Arnhem Land have featured prominently in the Telstra National Aboriginal and Torres Strait Islander Art Award over its 30-year history. Since 1994 there have been 22 winners from Buku Larrnggay Mulka, of those 12 have been selected for Prized: Yirrkala Artists.

 

Djambawa Marawili AM

Gulumbu Yunupingu 

Nawurapu Wunungmurra

Rerrkirrwanga Mununggurr

Naminapu Maymuru-White

Nyapanyapa Yunupingu

Djirrirra Wunungmurra

Galuma Maymuru 

Gawirrin Gumana AO

Wukun Wanambi 

Baluka Maymuru

Banduk Marika

 

 View PDF Catalogue

 

Traveling with a plate – journeys to the north

By Jörg Schmeisser (dec)   Master printmaker and artist Jörg Schmeisser first visited Arnhem Land in 1976. As part of the journey he facilitated some of the first etchings to be made with Indigenous artists of the region. He again visited the Top End in 2009 as part of the Nomad Art Djalkiri project.   […]


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  • Mangrove Tree, etching, 2010
  • Blue Mud Bay Diary and Yilpara Shore, etching and
  • Blue Mud Bay Crab, etching, 2009
  • Large Crab, etching,
  • Carapace, etching,
  • Starfish, etching
  • Shell, etching
  • Diary and Beach Bits, etching
  • Three Banksia Parts, etching
  • Grey Box, etching
  • Katherine Gorge, etching
  • Garuda, etching
  • Masks in Spituk, etching
  • Phuktal, etching

Traveling with a plate – journeys to the north

05 July - 03 August 2013

By Jörg Schmeisser (dec)

 

Master printmaker and artist Jörg Schmeisser first visited Arnhem Land in 1976. As part of the journey he facilitated some of the first etchings to be made with Indigenous artists of the region. He again visited the Top End in 2009 as part of the Nomad Art Djalkiri project.

 

This body of etchings represents both his visits to the Northern Territory and subjects related to the region. The exhibition features prints of Arnhem Land, Katherine Gorge, central Australia, south east Asia and Australian plants and marine life.

 

Of German descent Schmeisser’s distinguished printmaking career was informed by a restless curiosity of the visual world. From the beginning, he was inspired by travel, his imagination fired by regular experiences of the unfamiliar and unknown.

Jörg Schmeisser died in 2012.

 

Essay by Professor Howard Morphy

 

 

Manme Mayh: Gardens of the Stone Country II

  Manme Mayh: Gardens of the Stone Country II continues to explore the links between Indigenous cultural heritage, environment and aesthetic traditions of artists from the Stone Country of western Arnhem Land through food and plants (manme) and animals (mayh).   The artists selected for this project represent a small and unique group of young […]


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  • Samson Namundja at the opening of the exhibition
  • Gallery installation
  • Kinga- saltwater crocodile by Allan Nadjamerrek
  • Balakandjalan by Gavin Namarnyilk
  • Ngalyod - Rainbow Serpent by Allan Nadjamerrek
  • Wakkewakken - Sugarbag Woman by Allan Nadjamerrek
  • Lambalk- Sugar Glider by Gavin Namarnyilk
  • Ngalmangiyi- Long-necked Turtle by Allan Nadjamerrek
  • Billabong by Allan Nadjamerrek
  • Karrbarda- long yam by Gavin Namarnyilk
  • Mimi Spirit by Samson Namundja
  • Mimih Spirits and Karrbarda (Long Yams) by Samson Namundja

Manme Mayh: Gardens of the Stone Country II

05 July - 27 July 2013

 

Manme Mayh: Gardens of the Stone Country II continues to explore the links between Indigenous cultural heritage, environment and aesthetic traditions of artists from the Stone Country of western Arnhem Land through food and plants (manme) and animals (mayh).

 

The artists selected for this project represent a small and unique group of young artists who are actively maintaining the distinctive practise associated with the traditions of rock art painting in western Arnhem Land and the knowledge it purveys. The artists are Allan Nadjamerrek, Namarnyilk (Gavin) Nadjamerrek and Samson Namundja.

 

The Stone Country of Western Arnhem Land also known as the plateau country adjoins Kakadu National Park. The rocky outcrops of the escarpment dominate the landscape while adjacent floodplains, permanent rivers and billabongs are abundant with life of countless species of animals and plants.

 

The exhibition highlights cultural associations the Kunwinjku people have with species that include the fruit bats, kangaroos, Oenpelli python, water lilies, crocodiles, turtles, fishes, yams, and other plants and animals that provide both food and tools.

 

View the image and story catalogue

View the Education Kit

Desert Drypoints, Wetland Woodcuts and the Magnificent Mangrove Lithograph Series

  John Wolseley returns to Darwin in June as part of his continuing exploration of the Daly River and Blue Mud Bay in East Arnhem Land. Immersed in swamps, wetlands, tidal mangroves and the life forms that inhabit them, his work is a search to discover how we coexist within the landscape.   Wolseley’s paintings […]


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  • From Siberia to the Kimberley – Each year the Wading birds return to the Mangrove Swamps, lithograph with hand colouring printed in six colours from six aluminium plates, 2012
  • The last journey of the Regent Honeyeater, etching with watercolour, monoprint 1/1
  • The Waders Return, lithograph with hand colouring printed in five colours
from five aluminium plates, 2012
  • Bladderwort species I – Giraween flood plain, NT, watercolour on paper, 2012
  • Bladderwort species II – Giraween flood plain, NT, watercolour on paper, 2012
  • The Secret Life of the Mudskipper, lithograph with hand colouring printed in five colours, from five aluminium plates
  • Mangrove Swamp I, lithograph with hand colouring printed in five colours from five aluminium plates, 2012
  • Mangrove Swamp II, lithograph with hand colouring printed in five colours from five aluminium plates, 2012
  • Mangrove Swamp III, lithograph with hand colouring printed in five colours from five aluminium plates, 2012
  • After the Fire – Leaf Surge, five plate lithograph, 2003-4
  • After the Fire 2 - 'The fresh earth beams forth ten thousand thousand springs of life ' - Blake, five plate lithograph, 2003-4
  • North of Andado, lithograph with hand colouring

Desert Drypoints, Wetland Woodcuts and the Magnificent Mangrove Lithograph Series

31 May - 29 June 2013

 

John Wolseley returns to Darwin in June as part of his continuing exploration of the Daly River and Blue Mud Bay in East Arnhem Land. Immersed in swamps, wetlands, tidal mangroves and the life forms that inhabit them, his work is a search to discover how we coexist within the landscape.

 

Wolseley’s paintings are a study of the inner workings of living organisms, an idea that has emerged out of the rivers and swamps of the Top End environment.  While the compositions can be thought of as figurative, they also go beyond to a combination of stylised dynamic abstraction and rhythmic energy and still further to the exploration of hidden dimensions of being.

 

While primarily an artist John Wolseley brings to his work a deep sense of philosophy, research, ethno-biology, botany, zoology and humanitarianism coupled with acute observation. His exhibition Desert Drypoints, Wetland Woodcuts and the Magnificent Mangrove Lithograph Series is on show at Nomad Art from 31 May – 29 June, 2013

 

View the Online Gallery

ABC Stateline NT

New Fabrics from Merrepen Arts

  These beautiful new hand printed fabrics from Merrepen Arts on the Daly River in Northern Territory are the result of a recent fabric printing workshop with Bobby Ruben.   Merrepen artists are renowned for their stylised designs, which have traditional associations to the plants and animals of the Daly River region. The New fabrics […]


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  • Big Leaf design by Marita Sambono, silkscreen on silk, 2013
  • Fog Dreaming by Marita Sambono, silkscreen on silk, 2013
  • Sea Breeze by Marita Sambono, silkscreen on cotton, 2013
  • Fish Net by Kieren Karritpul, silkscreen on silk, 2013

New Fabrics from Merrepen Arts

31 May - 29 June 2013

 

These beautiful new hand printed fabrics from Merrepen Arts on the Daly River in Northern Territory are the result of a recent fabric printing workshop with Bobby Ruben.

 

Merrepen artists are renowned for their stylised designs, which have traditional associations to the plants and animals of the Daly River region. The New fabrics feature work highly regarded artists Marita Sambono and Kieren Karritypul.

 

Contact the gallery for more information about these fabrics.

gallery@nomadart.com.au

08 89482178

 

Or go to the online textile store to look at other

fabrics from Merrepen Arts

New fabric from Babbarra Designs

  New fabrics from Maningrida feature hand printed designs on fine quality hand woven quilting fabrics and shot cottons. The women’s designs depict their landscape, dreaming stories, bush foods and bush activities. The exhibition will feature new and exciting screen prints and lino block printing.   Proudly owned by Bawinanga Aboriginal Corporation, Babbarra Designs is […]


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  • Baskets, Mats and Catfish, screen print on hand woven cotton by Kate Miwulka
  • Pandanus Mat, screen print on hand woven cotton by Deborah Wurrkidj
  • Red Bush Apples, screen print on hand woven cotton by Deborah Wurrkidj
  • Dilly, Digging Stick and Waterlily, screen print on hand woven cotton by Jennifer Wurrkidj
  • Dilly, Digging Stick and Waterlily, screen print on hand woven cotton by Jennifer Wurrkidj

New fabric from Babbarra Designs

04 May - 25 May 2013

 

New fabrics from Maningrida feature hand printed designs on fine quality hand woven quilting fabrics and shot cottons. The women’s designs depict their landscape, dreaming stories, bush foods and bush activities. The exhibition will feature new and exciting screen prints and lino block printing.

 

Proudly owned by Bawinanga Aboriginal Corporation, Babbarra Designs is a creator of fine indigenous textile art. They are based at Maningrida in central Arnhem Land and operate out of the Babbarra Women’s Centre. The Maningrida region of central Arnhem Land is one of immense cultural and linguistic diversity. The work of our textile artists depicts the landscape, dreaming stories, spirit beings, bush foods and bush crafts from their country surrounding Maningrida. The variation in subject matter reflects the cultural identity of women from the different language groups.

 

View in the Textile Store >

Flowing From the Roper

  Our art comes from the Roper, that’s what connects us here, the river.  The river is the source of our creativity and energy and our art flows like the river.   The artists called this exhibition ‘Flowing from the Roper’, because they see it as a journey where the art has flown from the […]


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  • Spirit in the Land, screen print by Alan Joshua Jnr
  • Gorlotor (MT McMinn), screen print by Faith Thompson
  • Yularnggu, screenprint by Maureen Murrarngulu Thompson
  • Ngukurr Sunrais, screen print by Maureen Murrarngulu Thompson
  • Devil Devil (black), screen print by Wally Wilfred
  • Crocodile), screen print by Wally Wilfred
  • Bones, screen print by Wally Wilfred
  • Nail Fish, screen print by Jill Daniels
  • Bush Tucker, screen print by Rebecca Joshua

Flowing From the Roper

04 May - 25 May 2013

 

Our art comes from the Roper, that’s what connects us here, the river.  The river is the source of our creativity and energy and our art flows like the river.

 

The artists called this exhibition ‘Flowing from the Roper’, because they see it as a journey where the art has flown from the Roper to Melbourne, back to the Roper.

 

In 2012 seven Ngukurr artists were invited to develop new work in collaboration with Melbourne-based printmaker Rebecca Mayo. The artists explored the medium of screen-printing and produced exciting new work that complemented their own arts practice. The project has been made possible through the generous support of the Methodist Ladies’ College (MLC), Friends of Ngukurr, who raised over $35,000 through various fundraising events. The positive response to this project has reinvigorated and nourished the vibrant arts community in Ngukurr and will continue to foster the special relationship between Ngukurr and MLC.

 

Ngukurr community lies at the very South Eastern edge of Arnhem Land. The town is perched on a rise above a bend in the mighty Roper River, with heavily wooded country stretching away to the distance. The Roper River country, with its wild escarpments and dense woodlands, billabongs full of lillies, magpie geese, crocodiles and rock formations is as diverse as the people and art from the area.

 

View the Online Gallery

A Dogs Life II

  Dion Beasley loves to draw dogs, their interactions and the world around them. Dion’s humorous observations capture the character and relationships of the animals and situations he draws. ‘A Dogs Life II’ is the latest body of prints produced by this unique Tennant Creek artist, editioned by Franck Gohier, Red Hand Studios, Darwin.   […]


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  • Dion Beasley
  • Four Fast Dogs, slikscreen by Dion Beasley, 2013
  • Let's Go, hand coloured slikscreen by Dion Beasley, 2013
  • Barking at Lake Nash, slikscreen by Dion Beasley, 2013
  • Lake Nash Dogs, hand coloured slikscreen by Dion Beasley, 2013
  • Home at Mulga Camp, hand coloured slikscreen by Dion Beasley, 2013
  • Mulgs Dogs on the Run, slikscreen by Dion Beasley, 2013
  • Off to the Fight, slikscreen by Dion Beasley, 2013
  • Onlookers, hand coloured slikscreen by Dion Beasley, 2013
  • Our Side of the Fence, slikscreen by Dion Beasley, 2013
  • Uneven Sides, slikscreen by Dion Beasley, 2013
  • Very Loud Barking, slikscreen by Dion Beasley, 2013

A Dogs Life II

04 May - 25 May 2013

 

Dion Beasley loves to draw dogs, their interactions and the world around them. Dion’s humorous observations capture the character and relationships of the animals and situations he draws. ‘A Dogs Life II’ is the latest body of prints produced by this unique Tennant Creek artist, editioned by Franck Gohier, Red Hand Studios, Darwin.

 

View the Online Gallery

 

Dion Beasley Art and Language – ABC Arts News

Hand Held Lands

  Drawings and sculpture by Talitha Kennedy.   In this body of work Darwin based artist Talitha Kennedy examines the human relationship with nature in small sculptures and drawings.   Talitha Kennedy’s small hand-stitched sculptures are inspired by the idea of holding a mini-world in your hands.   ‘Humans have the power to make big […]


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  • Hand Held Lands
  • Holding Hole, kangaroo leather, thread and gravel, 8 x 14 x 13 cm
  • Swelling Escarpment, kangaroo leather, thread and gravel, 8 x 12 x 12 cm
  • Pounding Mountains, kangaroo leather, thread and gravel, 8 x 12 x 12 cm
  • Mangrove cluster, kangaroo leather, thread and gravel, 8 x 12 x 12 cm
  • Mangrove Protrusion, kangaroo leather, thread and gravel, 8 x 12 x 12 cm
  • Evolving Lump, ink on paper, 42 x 60 cm
  • My Heart is a Rhizome, ink on paper, 42 x 60 cm
  • Island Buoy, ink on paper, 42 x 60 cm
  • Fist Mountain, ink on paper, 20 x 30 cm

Hand Held Lands

05 April - 27 April 2013

 

Drawings and sculpture by Talitha Kennedy.

 

In this body of work Darwin based artist Talitha Kennedy examines the human relationship with nature in small sculptures and drawings.

 

Talitha Kennedy’s small hand-stitched sculptures are inspired by the idea of holding a mini-world in your hands.

 

‘Humans have the power to make big changes to the world. The capability of our technologies give us the power to destroy the land –deforest, make a huge hole in the ground for mining, avert rivers to dam, move mountains for roads. Geographic forms are themselves in transition, formed by moving tectonic plates in constant states of erosion as everything transforms by entropy.

 

The land as a body, an organism –alive and with spirit’

 

Talitha Kennedy 2013

 

View the Online Gallery

Fabrics from Injalak Arts

  A selection of beautiful new screen printed fabric designs from Injalak Arts in Western Arnhem Land.   Screen printing is an important part of art centre activities creating employment for artists and a alternate way to express traditional motifs. The designs were created by Injalak artists under the direction of Tim Growcott.   Visit […]


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  • Waterlily on linen, screenprint by Reuben Manakgu
  • Yawkyawk on cotton drill, screenprint by Eva Nganjmirra
  • Water Goanna on silk, screenprint  by Gershom Garlngarr
  • Brolga on linen, screenprint by Gabriel Maralngurra

Fabrics from Injalak Arts

05 April - 27 April 2013

 

A selection of beautiful new screen printed fabric designs from Injalak Arts in Western Arnhem Land.

 

Screen printing is an important part of art centre activities creating employment for artists and a alternate way to express traditional motifs. The designs were created by Injalak artists under the direction of Tim Growcott.

 

Visit the Textile Store

Recent Fabrics from Wadeye Women’s Centre

  The Wet Season reinvigorates the landscape and brings new life across the Top End.  As you fly into the community of Wadeye at this time of year, you see vast stretches  of green – brilliant carpets of light and dark  punctuated by mirror-like giant ribbons of water stretching across the land and isolating the […]


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  • Contemporary Print - Loreen Argarla.JPG
  • Dilly bag (red) - Alanga Nganbe
  • Echidnas - Bridget Bunduck

Recent Fabrics from Wadeye Women’s Centre

08 March - 30 March 2013

 

The Wet Season reinvigorates the landscape and brings new life across the Top End.  As you fly into the community of Wadeye at this time of year, you see vast stretches  of green – brilliant carpets of light and dark  punctuated by mirror-like giant ribbons of water stretching across the land and isolating the communities beyond them.   ‘The Wet’ brings new growth, new ideas and inspiration. Palngun Wurnangat Association Inc (which translates to ‘women working together’ in Murrinhpatha ) is proud to share with you, the designs and first-time screened fabrics of new young artists of the Wadeye region , along with some of the traditional designs that are well known and loved.

 

Design is sometimes literal and sometimes conceptual  – drawing reference from the hint of a shape or the idea of movement. This exhibition includes the work of several younger artists of the Wadeye region, who’s work represents the beginning of that contemporary line of thought in the artist’s mind – sometimes it’s a story, sometimes it’s just a feeling.

Good people, strong people, made this art

  This exhibition features powerful images of the Arrernte homelands west of Alice Springs by artists from Yarrenyty-Arltere.  The Centre is a family resource and learning centre located in Alice Springs which aims to improve the social, health, environmental and economic well being of the community in a way that strengthens and respects culture.  


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  • Four Plate Landscape, etching by Alison Walbungara
  • Together We Made Something Beautiful, etching by Constance Robinja and Marlene Rubuntja
  • The Beautiful Hills of Larapinta, etching by Alison Walbungara
  • Blue Woman, etching by Marlene Rubuntja and Blanche Ebatarinja
  • Woman and Landscape, etching by Constance Robinja and Sally Namatjira
  • Big and Strong, etching by Constance Robinja
  • Just Not Perfect, etching by Dulcie Ragget
  • I’ve seen the country burnt black and white like this, etching by Marlene Rubuntja
  • Man, Woman, Child, etching by Rhonda Sharpe
  • One More Woman, etching by Marlene Rubuntja and Sally Rubuntja
  • Landscape by Tristam Malbunka

Good people, strong people, made this art

08 March - 30 March 2013

 

This exhibition features powerful images of the Arrernte homelands west of Alice Springs by artists from Yarrenyty-Arltere.  The Centre is a family resource and learning centre located in Alice Springs which aims to improve the social, health, environmental and economic well being of the community in a way that strengthens and respects culture.

 

Build Up: More works in paper

Build Up is an exhibition of handmade paper by Darwin artist Winsome Jobling.   Winsome Jobling makes works in paper, which are linked to the environment on both political and physical grounds. Winsome’s art is tactile and sensual, often contrasting elements of texture, translucence, fragility and strength. She creates images by pouring thin layers of coloured pulp one […]


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  • Monsoon, hand made paper, 124 x 60 cm
  • Anthropocene #2, etching on hand made paper, 37 x 35 cm
  • Build Up, 3D cut out and etching on hand made paper, 61 x 43 cm
  • Sweat #7, multiple dipped watermark from real underwear, 32 x 43 cm
  • Cyclone, hand made paper, 124 x 60 cm
  • Downpour, hand made paper, 124 x 60 cm
  • Rain Dance, cut out and etching on hand made paper, 50 x 20 cm

Build Up: More works in paper

08 February - 02 March 2013

Build Up is an exhibition of handmade paper by Darwin artist Winsome Jobling.

 

Winsome Jobling makes works in paper, which are linked to the environment on both political and physical grounds. Winsome’s art is tactile and sensual, often contrasting elements of texture, translucence, fragility and strength. She creates images by pouring thin layers of coloured pulp one on top of the other; they are then pressed into beautiful contemporary watermark papers.

 

Jobling has an international reputation as a paper maker and recently returned from the Watermarks 2 conference in Cleveland USA, where she presented a workshop to a highly appreciative audience of paper makers.

 

Build Up

‘It’s the wet, your underwear is clingy; it may be all you have on. Mould is growing on the walls and your clothes. The air-conditioners are heaving and gasping on sweaty high rises.  The city is ugly. Focus is here and now, built environment, build-up and rain.’ Winsome Jobling 2013

 

View the online gallery

View ‘Sweat’ a series of 22 works in paper

New prints from Mardbalk Arts and Craft

Mardbalk Arts and Crafts Centre was established in February 2009 and represents the Warruwi and Minjiland communities in west Arnhem Land. The art centre has nine permanent and 55 casual artists and is run by the West Arnhem Shire Council – a local board consisting of traditional owners, elders, artists and various clan members. The […]


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  • Marrwala – Hunting Paddle, etching by Ricky Gurruwiwi, 60 x 14.5 cm
  • Galaku – Long Yam, etching by Ricky Gurruwiwi, 60 x 14.5 cm
  • Nawarla – Stingray, etching by Linda Najinja, 32 x 27 cm
  • Floor Mat, etching by Lyn Narlbidgrrka, 28 x 25.5 cm
  • Yawk Yawk, etching by Lyn Narlbidgrrka, 32 x 27 cm
  • Wallabbi – Fish Net, etching by Melissa Djorlom, 32 x 27 cm

New prints from Mardbalk Arts and Craft

08 February - 02 March 2013

Mardbalk Arts and Crafts Centre was established in February 2009 and represents the Warruwi and Minjiland communities in west Arnhem Land. The art centre has nine permanent and 55 casual artists and is run by the West Arnhem Shire Council – a local board consisting of traditional owners, elders, artists and various clan members.
The name Mardbalk refers to the name of the bay where the Warrawi community is located. The prints are the result of a workshop with Melbourne based printmaker Andrew Sinclair during a workshop on the Island in 2012.

 

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