Nomad Art Collections currently operates as an online gallery specialising in limited edition prints and works on paper by artists from Aboriginal owned art centres from remote and regional Australia.
Since inception in 2005, Nomad Art has become a leading outlet for quality Aboriginal prints on paper and hand printed fabrics in Australia.
Nomad Art focuses on art that involves cross-cultural collaborations between artists and master practitioners. A large range of limited edition etchings, lithograph, silkscreen, wood block, lino prints and textiles make up the unique and beautiful selection.
Nomad Art Collections is open by appointment in Euroa, Victoria.
We acknowledge that we are on the traditional lands of the Taungurung people and pay our respects to their Elders past and present.
Rose Cameron is Director & Business Manager of Nomad Art Productions. She holds a Graduate Diploma in Arts and Entertainment Management and has been involved in the Top End art industry since 1997.
As business manager at Northern Editions CDU 1999-2002 and with the Tiwi Art Network 2002- 2004, Rose facilitated the development of exhibitions, projects, sales and marketing activities of limited edition prints and Indigenous art. From 1991 – 2001 Rose was involved in community arts projects and exhibitions in Victoria and Darwin.
Her experience led to the establishment of Nomad Art Productions in 2005. Nomad Art Productions is a creative and ethical business enterprise dedicated to the production and marketing of fine art and craft by regional and remote Australian artists. The aim of Nomad Art Productions is to facilitate the development of new artworks, expand market opportunities and provide management support for artists and art workers nationally.
Rose manages the Gallery and oversees the development of projects with partner Angus. She has extensive experience in business and financial management, client liaison, exhibition and stock management alongside the development of projects, promotional material, copyright and other related areas.
Angus Cameron has extensive experience in art education, curating exhibitions, project management and arts industry development.
With a Bachelor of Visual Arts (Honours) and Diploma of Education, Angus has been involved in a range of art related positions and projects including publishing, arts management, exhibition development and workshop presentation in a variety of cultural settings.
In 1997 Angus was appointed Head of Art, Design and Music at Kormilda College in Darwin, subsequently he has held the positions of Education Manager at the Museum and Art Gallery of the Northern Territory (MAGNT) and Industry Development Officer for the Association of Northern, Kimberley and Arnhem Aboriginal Artists (ANKAAA).
In 2005 Angus established Nomad Art Productions in partnership with his wife Rose. Through Nomad Art Angus and Rose work closely with community art centres and Aboriginal corporations across regional and remote Australia.
Nomad Art is well known for facilitating unique projects that foster cross-cultural collaborations with artists nationally. These curated exhibitions promote collaboration, reconciliation and understanding with an educational focus.
Talitha Kennedy was born in Melbourne, Victoria and was based in Darwin, Northern Territory from 2005 – 2013. In 2011 she completed Master by Research in Visual Art at Charles Darwin University, and was the NT recipient of the 2011 Qantas Foundation Encouragement of Australian Contemporary Art Award.
Talitha Kennedy has worked as Assistant Manager at Nomad Art Gallery at various times from 2009. Talitha is an insightful curator and writer and contributes regularly to Nomad Art activities and exhibitions.
Talitha is also highly active and engaged in her own art practice and is highly regarded as a contemporary artist. Her artistic practice examines the human relationship with wild nature. Her drawings and sculptures interpret the aesthetics of fecundity and the tension between human culture and natural forces.
Talitha Kennedy predominately works with black leather making soft sculpture and installation that explore the necessary death of things to create the new.
A new generation of botanical art 2006, an excursion through the eyes of six diverse artists into the remarkable world of plants in the tropical north of Australia exploring the unique characteristics of species that survive and prosper through the climatic extremes of monsoonal rains, dry weather and wild-fires.
We are standing on their names - Blue Mud Bay, 2010, a cross-cultural collaborative printmaking workshop and exhibition with prominent Indigenous and non-Indigenous artists and scientists. The exhibition will tour nationally from 2011 - 2013. Read more about Djalkiri: we are standing on their names.