Exhibitions

  • Mulkun Wirrpanda at John Wolseley Buku Larrnggay Mulka Art Centre
  • Yirriŋaŋiŋ, Muwuka and Buwukul, woodcut by John Wolseley
  • Rakay #4, relief print on mulberry paper by Mulkun Wirrpanda
  • Dilminyin, relief print on mulberry paper by Mulkun Wirrpanda

The Midawarr – Harvest Series

05 August - 24 August 2016

 

The Midawarr – Harvest Series suite of woodblocks is the outcome of collaboration between Mulkun Wirrpanda and John Wolseley. Wirrpanda is a senior female artist for the Dhudi-Djapu clan from Dhuruputjpi. Wirrpanda is a leader of her clan and has a lifetime’s knowledge of her country, which is distilled into her art.

 

Wolseley has lived and worked all over the continent and is known for his large scale works on paper which relate the minutiae of plant, bird and insect to the greater movements of the earth’s geological and ecological systems.

 

Wolseley and Wirrpanda first met in 2009 in Baniyala, east Arnhem Land. Both artists were part of a group of Yolngu and visiting artists working on the cross-cultural project and touring exhibition Djalkiri: we are standing on the their names   Blue Mud Bay organised by Nomad Art Productions in Darwin.

 

Since 2009 they have spent a week or two together each year in the Miwatj region in Midawarr, the harvest season. The two have hunted rare plants, painted them; and eaten the unique tropical yams and tubers. Wirrpanda has now compiled comprehensive series of barks and larrakitj about the poorly recognised food plants of northeast Arnhem Land. Her mission is to renew the knowledge of these plants for future generations. Since 2009 John Wolseley has also been making woodcuts and large works on paper about the same plants and landscape.

 

 

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  • Aaron McTaggart, Awarrapun - Crocodile Design, two plate etching.
  • Kieren Karritpul, Kala Damuy - Red Root, etching with soft ground red root.
  • Kieren Karritpul, Yerrgi – Pandanus Bundles, three plate etching.
  • Gracie Kumbi, Merrepen - Sand Palm, two plate etching.

Kidin – Time of Plenty

04 August - 27 August 2016

Kidin – Time of Plenty combines both art and cultural knowledge with the rich natural heritage of the Ngan’gikurrungurr and Ngen’giwumirri (Ngan’gi) people of the Daly River region. The collection of images is a study of the relationships between plants and animals and Ngan’gi people who are intimately connected with their country.

In March 2016 Merrepen artists participated in an innovative etching project with master print maker Basil Hall. The outcome is a collection of 18 beautiful images celebrating the biological diversity and cultural associations of the Daly River Region by: Aaron McTaggart, Kieren Karritpul, Patricia Marrfurra McTaggart AM, Christina Yambeing, Margaret Gilbert, Marita Sambono, Louise Pandella, Gracie Kumbi, Troy Madigan and Philip Wilson

The title Kidin (meaning the abundance of life after the wet season) is symbolic of life and nature of the tropical north of Australia. The collection of colour plate etchings creates a highly innovative and unique portrayal of both the environment and the traditional knowledge of the Ngan’gi people with an emphasis on traditional language and association with plants and animals.

View the Catalogue of works

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  • The Kunwinjku exhibition
  • Kinga (Saltwater Crocodile), ochre on bark by Gabriel Maralngurra
  • Kalkberd (Wallaroo), ochre on bark by Graham Badari
  • Bininj Daluk Dancing, ochre on bark by Graham Badari

The Kunwinjku Counting Book and other works of art from Gunbalanya

01 July - 23 July 2016

This exhibition focuses on paper and bark paintings by acclaimed Western Arnhem Land artists Gabriel Maralngurra, Roderick Maralngurra and Graham Badari and includes a set of 12 paintings that feature in a children’s book entitled The Kunwinjku Counting Book illustrated by Gabriel Maralngurra. The Kunwinjku Counting Book is published by Injalak Arts and launched by Nomad Art in July 2016.

This book serves as a small window into the complex ecology of West Arnhem Land and the wholistic nature of Kunwinjku Aboriginal culture. The Kunwinjku Counting Book Suite provides a cross cultural dialogue, where traditions intersect in a spirit of respect and sharing. It involves the passing of knowledge from one generation to the next and from one cultural tradition to another, culminating in the preservation of a shared national heritage.

The works express the resilience and connections between people, stories, place, plants and animals that live and thrive in the Stone Country of Western Arnhem Land.

I really wanted to do this book to make children happy … to share my culture in Kunwinjku and English and help children learn how to count.

Gabriel Maralngurra, 2016.

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The Kunwinjku Counting Book Suite

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  • Trees and Lagoons, screen print by Dinah Norman
  • Yulularri - Nanny Goats, screen print by Marjorie Keighran
  • Hills and Trees, screen print by Jemima Miller
  • Branding Cattle in Open Country, screen print by Nancy McDinny

Gulf Country: New screen prints from Waralungku Arts

04 June - 25 June 2016

 

Waralungku Arts represents the Yanyuwa, Garrwa, Mara and Gudanji peoples from the Borroloola Region in the Gulf of Carpentaria, Northern Territory. The Art Centre is set in an arresting landscape of rocky hills, cattle-grazed scrub, billabongs, and wide horizons.

 

The screen prints depict both the life and the history of the community, as well as the distinctive beauty of the surrounding landscape with bright colours and a sense of past histories and continuing connections.

 

Gulf Country is the result of a print workshop facilitated by Cathy Cummins in 2015 and printed at Basil Hall Editions 2016.

 

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  • Charlene Carrington, natural ochre and pigments on paper
  • Phyllis Thomas, natural ochre and pigments on paper
  • Gordon Barney, natural ochre and pigments on paper
  • Gordon Barney, natural ochre and pigments on paper

Badem gooyarrg yirranyjende, goodoo yirranyjende – We collect ochre and grind it

04 June - 25 June 2016

This exhibition brings together new explorations of ochre to works on paper by emerging, mid career and establish Gija artists. Warmun art is a contemporary expression of land and culture central to Gija identity and has a national and international reputation. Artists draw on Ngarranggarni (Dreaming) stories and contemporary life.

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Exhibitions Archive

The Wealth of the Land

Chips Mackinolty celebrates the natural and cultural wealth of Sicilian horticulture through a new series of digital prints. Based in Vucciria, near the oldest market in the historic centre of Palermo, Mackinolty set about depicting the new seasons fruit and vegetables as they appeared in the market. The images represent centuries of agricultural practice and cuisine which are fundamental to the […]


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The dark reactions

Michelle Culpitt is a photo media artist whose experimental methods include anthotypes, a pre-photographic process using photosensitive material from plants to create an image.   Anthotypes were invented by Sir William Herschel in 1842. The process involves coating a sheet of paper with an emulsion that has been extracted from light-sensitive plant material. An object […]


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Ground: works in paper by Winsome Jobling

Winsome Jobling is one of Australia’s pre-eminent paper artists. Her work transcends notions of paper making into highly original works of contemporary art.   Steeped in knowledge, intellect and beauty these works draw us deep within the natural environment, unveiling a hidden world and reminding us of the mysteries and wonder of nature. In this series of works in […]


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The Mirrored Image: Ten years of prints at Nomad Art

This exhibition commemorates the 10th anniversary of Nomad Art Gallery, over 100 exhibitions and the numerous projects Nomad Art has facilitated or hosted since 2005. The ethos of Nomad Art is to explore and highlight the cross-cultural and collaborative nature of printmaking through the culturally rich and natural diversity of the Top End of Australia.   […]


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Torres Strait Islander Prints from Badu Island

These beautiful linocuts reflect the artist’s love of the ocean, the strong cultural traditions and relationships they have with Badu Island through its creatures, the wind, rain, earth, sky, stars and the sun. ‘Reflecting our strong cultural traditions and our beautiful relationships with our world we carefully express our love and dedication to the ocean, to […]


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Secret World: Carnivorous plants of the Howard sand sheets

  ‘Secret World: Carnivorous plants of the Howard sand sheets’ is an art exhibition focusing on the unique Bladderworts that thrive on the Howard Sand Plains near Darwin.   The Howard sand sheets host a number of unique and threatened plant and animal species including rare carnivorous plants (Utricularia species) and the Howard River Toadlet. […]


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LIVELY: New Prints from Warmun Arts

  Warmun Art Centre and Nomad Art present LIVELY—a new series of etchings by Gija artists produced with Basil Hall Editions.   LIVELY is a term in Kimberley Kriol that describes an energetic way of doing something. It’s a boisterous and confident way of getting into it, getting something happening and getting going, with strong […]


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The Stone Dialogues

  The Stone Dialogues are a series of etchings exploring the relationship we have with matter from deep time. Stones bear witness, of their formation, of events, of humans and non-humans tracking across the surface. What can they reveal to us as we caress them in their manifold shapes and sizes? In dialogue with this […]


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Tropical Louvres – Anne McMaster

  The images portrayed in this exhibition are inspired by the natural habitats of the Tiwi Islands including coastal mangroves and coral. Other elements that influence Anne McMaster’s art are the changing nature of the seasons, the beautiful Island light and the contemporary Island culture of AFL football.   This body of work is the […]


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Louvres and Floorboards – Bobbie Ruben

  Digital designs on linen from Speargrass Textiles   Bobbie Ruben captures the essence of Darwin’s elevated, tropical homes where intelligent design is paired with the beauty of horizontal, vertical and diagonal line. Delivering simple functionality with the elegance of frosted 1960’s louvres ensure these homes are a joy to live in. Their beauty and meaning are engrained […]


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